Speaking of reappraisal, expect debate around The New Americans: Gaming a Revolution, a rebuttal to the swathe of documentaries that claimed the Gamestop movement was a cool lark, and more of a political danger than everyone realized. Expect a lot of Texas interest on The Lady Bird Diaries, focusing on the life and impact of First Lady Lady Bird Johnson, and a long-overdue reappraisal of the impact of a comedy groundbreaker in Being Mary Tyler Moore. Today’s list also includes the narrative and documentary spotlight and competition titles. Filling out this stage of the big titles are New York art-and-immigration drama Problemista (starring Tilda Swinton fresh off her acclaimed performance in The Eternal Daughter) and director/screenwriter/star Julio Torres and Flamin' Hot, the directorial debut of Eva Longoria, with Jesse Garcia as Richard Montanez, the man who revolutionized the snack game with the Flamin' Hot Cheeto.īut it’s not just headliners. That's only two of the four headliners announced. The new version, directed by Irish filmmaker Lee Cronin ( The Hole in the Ground), seems to continue into the franchise's post-Bruce Campbell future, and lean heavily into the 2013 flick's hyper-gory aesthetic. All Rights Reserved)įar more grisly is the world premiere of Evil Dead Rise, the first new film in the franchise since the super-gory 2013 reboot, Evil Dead (which, not so coincidentally, also premiered at SXSW). The customers finish endorsing the site, revise the second draft of their screenplay, and send it back over to The Script Reader to receive further consulting.Lily Sullivan as Beth in New Line Cinema's Evil Dead Rise, premiering at SXSW 2023 (Copyright Warner Bros. He knows how to take your naked script and layer it to completion. Mike Stern really has a nose for what the industry wants in a screenplay, and for what an audience wants in a movie. As a professional writer, what I desperately need is someone to help me see what I can’t, offer good ideas for improvement that feel authentic to my vision, and help me figure out how to bring a messy but promising script home. Script readers are a dime a dozen, but in my experience, most of them do little more than give pat structure notes and point out flaws. Always insightful, always engaging, always encouraging. I am a better writer because Chris Covell. Most importantly, he cared about me as a writer. His skill in understanding cinematic storytelling and in crafting characters the audience can empathize with and root for has been one of the most creatively stimulating experiences in my professional career. He cared about each and every story I wrote, along with each and every character in those stories. Over the years I have worked with a few script consultants. Over two decades of writing has taught me to never send a script out without Mike Stern at The Script Reader helping you make it your best! When I placed in the top 8 in the 2017 Slamdance I knew who to thank! Mike’s insight was key in helping me elevate my screenplay. Mike wants you to get it right just as much as you do! And he’ll work with you till you get there. What makes The Script Reader unique is how personal it is. The happy customers continue to give their endorsements. Two thumbs up (three if humanly possible!) for his consistently excellent feedback and one-on-one meetings! I have trusted Chris to work with my screenwriting students for years. They helped me remember what was good about the concept, and turn an idea into an exciting story. The Script Reader brought me that which in writing is most valuable and rare: clarity. I had gotten lost in my script and forgotten why I had written the thing in the first place. He will lend maturity and seriousness of purpose to your finished product. Mike Stern is gifted, discerning, and diligent, as well as being a really nice guy, which is rare to find in Hollywood. ( Creator/Executive Producer: "TURN: Washington’s Spies", He helped take my recent script from “it’s all there it just needs some tightening” to “wow” in one pass, and I’m so thankful for it. He does this because he takes a vested and personal interest in your story and values it like you value it. He actually comes up with creative solutions to pitch as ideas to strengthen those weaknesses and tighten the overall story. Various customers give glowing endorsments to Chris and Mike at The Script Reader, who helped them pen beautiful works of art.Ĭhris Covell stands out HEAD AND SHOULDERS above every script consultant I’ve worked with because he’s not only great at pointing out where the script is weak (where most script consultants stop).
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